John L. Sorenson
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Music
My earliest recollection of musical experience was probably listening to
the radio. Nothing concrete but sometimes the radio was on in our
house, The only set I recall was one that my brother Curtis obtained (he
was an electrical engineer). He inserted it into a large standing wooden
console that had apparently had a previous set in tl Maybe but I don't
remember that far back. The equipment Curtis installed produced quite
high quality sound. My mother and father had only slight musical sense.
I don't recall them, or me, for that matter, turning the set on specifically
to listen to music. I suppose what we heard when it was on incidentally
was no doubt the popular music of the day, which is what radio stations
were playing then.
We had a piano in the "front room" that had been obtained (used of
course, from whom I don't know) for the use of my sister Ruby. She had
some instruction and learned to play as an accompanist quite adequately.
But she no longer lived at home. She worked as a secretary (at the
Ogden Stockyards) and boarded with a family in Ogden. The only use of
the piano was when she came home on many weekends. At one point,
maybe when I was 11, I expressed some interest in learning to play
piano, and she gave me a few ad hoc lessons, but I did not have the
interest or discipline to carry through.
In the 7th grade I was in a singing class at the junior high (who knows
how that came about?) that I quite enjoyed. That was the first time I
learned anything (but not much) about musical notation and part
singing. During those years and on into high school I was caught up in
the pop music of the day. Listening on Saturday evening to "Your Hit
Parade" on the radio became a must. I enjoyed "classic" pop-Cole Porter,
Irving Berlin, Bing Crosby, Glen Miller's orchestra, etc., even verging into
jazz.
When Randall (four years older) was in high school, I guess, he was
involved with other young men of his age in our ward (and a little
beyond) with a singing group that made me listen to some more serious
music. It was organized around conductor Willard Thornley, a (single)
near neighbor. They were called the Ave Verum chorus and sang mainly
sacred music, both LDS and classical. They gave many concerts around
Cache Valley and performed on the Logan radio station (which was often
desperate for time-occupying artistry!). (The conductor had other
concerns. When he was in the medics in the military during WWII he
came half way out of the closet as a homosexual.) I heard music through
that group some of which was interesting to me. In fact when I was in
high school I joined the ward choir and somewhat liked it. My patriarchal
blessing, given when I was 16, said that I had some musical gift, but at
that time I never exploited whatever my gift consisted of.
Somewhere along the line I had begun to enjoy serious (""classical")
music, at least the lighter aspects of it. Overall I was pretty eclectic in
my developing tastes. By the time I was in the Air Force (1943-46) and
in training at Cal Tech in Pasadena, I attended most of the concerts by
the Pasadena Symphony, a community organization of substantial quality
(concerts were free to servicemen). Later, in Natal, Brazil, I found a radio
station that played classical music at bedtime; I listened regularly. Of
course there were gaps, like on my mission, when I heard almost no
music.
When Kathryn and I had our own little family, we bought a small 45-rpm
plaher and had a few discs, my long-term favorite, Beethoven's Leonore
overture, being one. (Jeffrey had some children's discs that he played on
that machine.) during the busy, busy years that followed I have no
recollection of any part that music played in my life. I still enjoyed
classical music but could invest little listening time.
When we built our house in American Fork (middle 1970s), I again joined
the ward choir and got much pleasure from it. Our conductor was a very
competent music teacher and the choir was well above average in
quality. When she undertook to have us sing long selections from
Handel's Messiah, I was doubtful about the possibility, but in fact it
turned well and for me was rather memorable. I served as "president" of
the choir organization at this time.
Not until the relative leisure of my retirement years (1986 and beyond),
although I still "went to the office" daily and worked hard, mainly on
Book of Mormon-related matters, did I put in new effort in listening. I
had a random collection of LPs (look them up if you don't know what
they were!), a mid-sized player at the office, and had on KBYU's classical
music station through most days. My favorites were Mozart, Beethoven,
Brahms, and Faure (especially his organ symphony) and other French
composers. But also Art Tatum, Count Basie, Oscar Peterson, George
Shearing, and Dave Brubeck.
As rock music came on the scene, my attitude was one somewhere
between quiet scorn and impatient distaste. As variant forms have
continued to develop I have found no reason to change my opinion. That
whole spectrum of genres is of absolutely no interest to me. They seem
as pointless as "country music." But some 20 years ago I cultivated anew
an interest in big band sounds and in classic jazz and enjoyed them a
good deal.
When my sister Ruby was 80, I could not believe how completely her
lifetime of musical performance and listening had been turned off. She
simply no longer had any interest in even listening to music. Now I
understand. Now I too almost never listen to music, of any genre. And I
guess I don't particularly miss it. It seems only an episode in my life that
I have passed through, to advantage, rather like riding a bicycle, being
an anthropologist, collecting art, or.serving as a bishop. And so life goes
on.
Reminiscenses
by John L. Sorenson